When I first saw the stylized
opening
credit sequence of ZATOICHI AND THE CHEST OF GOLD, with the title
character battling massive amounts of bad guys against a black
background, my immediate thought
was "Okay, so now he's James Bond". Little did I know that
some
fans
consider this film the one where the series "took off", essentially
becoming the James Bond series of the East. It is
certainly a leap forward from ZATOICHI ON THE ROAD, which was almost a
compendium of Zatoichi cliches from previous movies. Not that
the
formula changed much
for THE CHEST OF GOLD, but things are
different.
For starters, it is
directed with
much more enthusiasm than usual, with the kind of quick zooms and
swish-pans that
would soon become hallmark (some would say bane) of the samurai and
martial arts genre in
the coming years.
Blood is finally prominent in an Ichi
film, with one opening flashback showing a gushing spurt not unlike the
one found near the end of Kurosawa's SANJURO, filmed two years
earlier. Ichi is also
bloodied up several times in the film, showing that he is not a
super hero but a man who can get hurt. The climactic battle
this
time is not simply a matter of Master Ichi flashing his sword and
watching bad guys fall (though he does plenty of that also) but
rather an exciting sequence in which he is dragged on the ground,
swordless, by an evil thug on a horse (played by Katsu's real life
look-alike brother brother, Tomasaburo Wakayama), a sequence
which features,
for the first time that I've noticed, a stunt-Ichi.
Then there is the sex. I know what you are saying: "Zatoichi having sex? Not really needing to see that!". But don't worry - he doesn't do "The Full Ichi" here. But Ichi does get his private parts manhandled by a local whore (and a fat and ugly one at that), and it is implied later that the manhandling eventually lead to complete digital satisfaction for our wandering masseuse. ("That's the first time I ever been on the receiving end of a massage!" quips Ichi.) Ever the gentleman, Ichi grumbles about paying for the service and finishes up the encounter with these tender words: "You should really take a bath now and then." And people wonder why he's always wandering down the road alone at the end of every film.
Okay, so things
aren't all that
different, but there are some novelties, and all the usual expected
moments
are done with style, making ZATOICHI AND THE CHEST OF GOLD one
of the best of the series so far.
- JB