There's nothing terribly wrong with someone else besides Shintaro
Katsu playing Zatoichi. It's just that nobody ever tried it
before actor/director Takeshi Kitano. Fourteen years after
Katsu's final Ichi film ZATOICHI (1989), Kitano revived the character
in this enjoyable, funny and often strange movie. Kitano, a
former television comedian turned
director and famous in Japan for creating a wide variety of mainstream
and experimental films, initially rejected the idea of making ZATOICHI
for fear of being compared to the late yet still beloved Shintaro
Katsu. But he was given a free hand to recreate and
reconstruct
Zatoichi as he saw fit.
His major mistake, at
least for fans of the
original films, was making Ichi a cypher with no morals. This
is
especially noticeable in the gambling scene, where Ichi hears that the
dice have been changed. In a Katsu picture, this was always
the
moment for Ichi to perform some quick trick or utter some humorous
words to alert fellow gamblers to the con. If a fight
started,
Ichi would finish it, but he usually waited until one broke out. In
Kitano's interpretation of the character, Ichi slaughters everyone in
the
joint simply because the dealer switched the dice. Another
mistake was not injecting more humor into the part of Ichi, something
Katsu
could do in even the most tense and violent scenes. Kitano
said
he was afraid to do anything that would make audiences think he was
imitating Katsu (hence the blond hair), but surely this comedian could
have injected his own brand of comedy into the part. Yes,
there
is humor in the film, and good humor too, but rarely is Kitano part of
it.
Still, one of
Kitano's objectives was to
make a huge, entertaining, popular film, and in that he succeeded,
right down to the anachronistic tap dancing ending. It is the
non-Ichi elements from this film
that you may
remember more, such as the mentally-challenged sumo-sized man who
thinks he is a samurai and is featured throughout the film screaming
his head off in what is literally a running gag. The film's
funniest moments come from Ichi's sidekick Shinkichi (played by
comedian Gadarukanaru
[Guadalcanal] Taka, whose highlight (aside from appearing drag) comes
when he tests his skills by having three others attack him with sticks,
something that quickly turns into a routine that would have made the
Three Stooges proud. The most poignant thread is the
story of two young
geishas whom Ichi befriends, one of whom is not what she claims to
be. Once in a while, Kitano creates bits of business for Ichi
that are so good, you might swear you had seen them in a Katsu
film. I'm still trying to remember if in a Katsu film,
anybody
ever painted "eyes" on Ichi's eyelids to fool the authorities.
Takeshi Kitano walked a thin
line with this
film, risking disappointing Zatoichi fans and his own fanbase, as well
as tarnishing the memory of Shintaro Katsu. In the end,
ZATOICHI
was Kitano's biggest hit to date. So he must have pleased
somebody.
½ - JB
ADD ANOTHER QUOTE AND MAKE IT A GALLON
"Just like soccer basically is 22 men and 1 ball, so is Zatoichi basically a blind man, a sword cane and lots of bad guys."
--- star and director Takeshi Kitano