ZATOICHI Welcome Back, Katsu.
One of the many wise and funny things film historian Joe Adamson once
said was "God never meant for sixty-two-year-old Marx Brothers to make
movies." Upon first sight of a 58-year-old Shintaro Katsu in
this
1989 comeback film, you may wonder if God had the same feeling about
Katsu playing Zatoichi after a decade and a half absence. If
you
watch the films in order, it is initially a shock to see an older Ichi,
with graying hair and a few more years of wear and tear on his
otherwise well-tanned face. But after the first few minutes,
it
is apparent that whatever His feeling about the aging Marx Brothers of
LOVE HAPPY, God was good to Katsu, because in this film, he is as spry
as ever, not having lost any of his talent, charm or ability to
convincingly
slice down seven assassins in the space of three seconds.
If you are expecting
this to be the be-all
and end-all of all Zatoichi films, you will be disappointed.
Although more introspective than any film in the series save TALE OF
ZATOICHI, ZATOICHI '89 is a typical Ichi film with late '80s
touches. So along with everything you would expect in an Ichi
film, you'll also find female nudity, Ichi having sex in a
Japanese bath, more blood than any other previous adventure, and even
an embarrassing montage featuring an eighties' power ballad sung in
English. Rather than
capping off a remarkable series, ZAT '89 ends like all other Ichi
films, with Master Ichi walking down the road to his next
adventure. That's the way it should be - like James Bond,
Zatoichi's story should never really end, which is one of the reasons
that Takeshi Kitano's 2003 homage film is such a treat.
Don't ask about the
story. It's all
about rival gangs, corrupt official and a price on Ichi's
head.
What make Katsu's new version of an old tale special is Katsu
himself.
More than a decade after last playing the character, he still nails it
as much as Sean Connery nails James Bond in NEVER SAY NEVER
AGAIN. This old dog doesn't trot out many new tricks, but the
old
tricks, done by a master, are still entertaining. If the
later
mass-slaughter scenes are edited in a more kinetic style, possibly to
cover for Katsu's age, the scenes still work as Katsu reprises several
classic fight gags and polishes them up with some
fun twists. Remember the film where he had to fight while
carrying a baby? Here, he throws the baby up in the air,
slice
down a gangster and catches the baby again. Classic stuff.
The supporting cast
is excellent, starting
with Ryuutaro Gan as a young local crime boss. If you think
he
looks suspiciously like Katsu, you'd be right - he is Katsu's
son. If you think that Yuya Uchida, as another crime boss,
looks
like Keith Richard... well, there's really no explanation for
that. The cast of characters are typical, and include a
pretty
teen girl who is forced into being an official's concubine, and a
wandering samurai who befriends Ichi even though a duel to the death is
inevitable. The story is not as tight as it could be, and
Katsu's
direction is less imaginative than what he displayed in ZATOICHI IN
DESPERATION, but he gets the job done.
Perhaps the highest
compliment that can be
given to ZATOICHI '89, the movie in which we welcome Zatoichi back and
bid him goodbye simultaneously, is that, like the best Ichi films, it
makes for a perfect introduction to the series.
½ - JB
NOTE: After ZATOICHI, Shintaro Katsu
played a major
part in 1990's
RONIN GAI as a disheveled bull of a samurai. It proved to be
his
last film. A large man who lived large and loved food and
cigars,
Katsu died In 1997 of throat cancer.