YOU ONLY LIVE TWICE is the weakest James Bond film of the 1960s,
although it has its strengths. Sean Connery would return to
the
role of Bond in 1971 and 1983, but this was his final consecutive
appearance in the role and his weariness is telling. He's
still
the best Bond even when delivering a phoned-in performance, but the
film might have been improved a bit had he shown some of the energy and
élan of earlier outings. There was little he could do,
however, to remedy the tedium and ridiculousness of the film's second
half, during which matte paintings of volcanoes blow up and the
mysterious Blofeld is revealed to be the vertically challenged Donald
Pleasence. It's all the more disappointing given the promise
of
the first half of the film, which contains some decent action
sequences, hairbreadth escapes, an entertaining mini-tour of Japan, and
a very clever scheme in which Bond fakes his own death. The
screenplay for YOU ONLY LIVE TWICE was written by Roald Dahl (CHARLIE
AND THE CHOCOLATE FACTORY, JAMES AND THE GIANT PEACH), one of two Ian
Fleming books he would adapt for the screen (the other being CHITTY
CHITTY BANG BANG).
½ - JL
In THUNDERBALL, all
the fun "Bondian"
elements surrounding the character of 007 threatened to overwhelm the
character himself. In YOU ONLY LIVE TWICE, that stuff takes
over
completely and Bond never has a chance. Connery seems to know
it,
as he gives a mostly listless performance. The writers had
little
to work with this time, since Ian Fleming's original novel is one of
his weakest, so they punted Fleming's story and revisited the plot of
DR. NO with a "Biggest Bond of All!" attitude. But despite
its
bigness, it is also boring for long stretches. Blofeld's
volcano
fortress is a classic set, but the film needed a huge presence like
Orson Welles or Marlon Brando to inhabit it, not little Donnie
Pleasance, who projects about as much evil menace as the cat in his
lap. His portrayal of Blofeld, Bond's arch enemy, has also been so
magnificently skewered by Mike Myers in the AUSTIN POWERS films that it
is now impossible to take Pleasance seriously at all. Add
some
bad dubbing, the idea that a little makeup could pass Bond off
as
a Japanese man, a comparitively lackluster theme song and some
by-the-numbers action sequences, and you have not the worst Bond film
ever but certainly one of the dullest.
½ - JB
ADD ANOTHER QUOTE AND MAKE IT A GALLON
"Goodbye, Mr. Bond"
HOW TO TALK LIKE A BOND VILLAIN
"I shall look forward personally to exterminating you, Mr.
Bond."