Although generally not ranked
among Hitchcock's classics, YOUNG AND INNOCENT is a fine little romantic
suspense film filled with some of the director's most inventive
camerawork to date. The plot and central conflict of the film are
established within the first three minutes, when a young man (Derrick
de Marney) is wrongly identified as a murderer after discovering the
dead body of his former lover on the beach. He's Hitchcock's
latest man-on-the-run, aided in his quest to prove himself innocent by
Nova Pilbeam, one of Hitchcock's most uptight and angry female leads
(and that's meant as a compliment in this case). Some visual
ideas in YOUNG AND INNOCENT would turn up more fully developed in later
Hitchcock films. Opening reaction shots of seagulls foreshadow
THE BIRDS by some 26 years, and the closing sequence contains an
uninterrupted tracking shot that zooms in from 150 to within inches of
the twitching eyes of the real murderer, calling to mind the
down-the-staircase shot in NOTORIOUS that ends with the key in Ingrid
Bergman's hand. Although not as complex structurally or
thematically as his best work, YOUNG AND INNOCENT was nevertheless one
of Hitchcock's better British-period films.
- JL