A classic film noir in spite of a controversial ending, THE WOMAN IN THE WINDOW is the first of two collaborations between director Fritz Lang and actors Edward G. Robinson, Joan Bennett and Dan Duryea. Robinson plays a professor in the throes of a mid-life crisis whose dalliance with a mysterious woman leads to murder. To complicate matters, Robinson is close friends with District Attorney Raymond Massey, who unknowingly closes in on Robinson with each newly discovered clue. The first two thirds of this film have a palpable sense of claustrophobic paranoia, as we watch Robinson accidentally incriminate himself with each action and statement, even if Massey is too thick to realize his number one suspect is sharing brandy and cigars right next to him at the local men's club.
It is in the final twenty
minutes that the
script loses focus, as focus shifts from Robinson's nightmarish
existence to "the woman" (Bennett) and a blackmailer (Duryea), with
Robinson
offscreen for much of the time. Before we can get to an
anticipated confrontation between Massey and Robinson, the final minute
of the film pulls out the rug from underneath us in a way that will
please some fans but anger many others. Still, for
its
style, performances and first 80 minutes, THE WOMAN IN THE
WINDOW
is one of the classic noirs
of the 1940s. SCARLET STREET, Lang's followup film, is a
better film using essentially the same plot elements.
- JL
IS THAT WHO I THINK IT IS?
Our Gang members Bobby Blake and George "Spanky" McFarland
both have small parts in this film.