Roger Moore, just about ready for the nursing home, says adios to 007
in one of the weakest of all Bond films. It's a shame because
there's so much unexplored potential in this one. Christopher
Walken and Grace Jones are inspired choices for villains, but they're
given little to do except strike poses and spout hackneyed ee-ville
dialogue. There are also some decent set-pieces such as a
dizzying chase up the Eiffel Tower, a well-staged underground battle,
and a climax atop the Golden Gate Bridge that's good for some cheap
thrills. But most of the film is a mess, with a first half
involving drugged race horses that doesn't seem to have much to do with
the main plotline about Walken's attempts to corner the world's
microchip market. (Or perhaps my attention was wandering too
much
to catch the connection.) Tanya Roberts makes for some nice
eye
candy, but she's among the most annoying of Bond girls, the epitome of
the helpless bimbos whose dialogue consists of screaming "James!" every
other line. The entire MI6 gang was getting long in the tooth
by
now and it was past time for a series overhaul, which would come two
years later when Timothy Dalton took over the Bond role.
- JL
It's not that Roger Moore was
old, but that he
was too old to play James Bond. Sean Connery solved that
problem
in NEVER SAY NEVER AGAIN by (a) making a film where Bond is supposed to
be older and (b) being Sean Connery. Moore would have made
for a
fine "M" at this point in the franchise, paving the way for a new Bond,
but the powers that be felt they could squeeze one more good
Bond
film out of him. They were wrong. I have
only seen
this film once and dread viewing it again so I will charitably match
the above rating with my own. After all, almost all James
Bond
films have at least two stars worth of fun action sequences, whatever
else their flaws may be.
- JB
HOW TO TALK LIKE A BOND VILLAIN
"You amuse me, Mr. Bond."