Some revisionists insist that Alfred Hitchcock's TORN CURTAIN is underrated and ripe for reevaluation, but other than about 15 worthy minutes out of 128, I find it to be a total snoozer.
The film stars Paul
Newman as an American
physicist who pretends to defect to East Germany in order to obtain the
secrets of a leading communist scientist; Julie Andrews plays his
fiancee who tags along without his knowledge. On the plus
side,
the film contains a justly famous prolonged murder sequence, a quiet
and suspenseful chase through a museum, and a reasonably tense escape
scene at the end. The downside is that the film is
unrelievedly
lethargic, marked by a talky screenplay and low-keyed acting.
The
producers at Universal coerced Hitchcock into using Newman and Andrews,
two expensive superstars whose salaries ate up nearly half of the
film's budget. They give capable performances, but both lack
their usual flair and charisma. The film also suffers from a
distractingly inappropriate and chipper score by John Addison, a
last-minute replacement for the great Bernard Herrmann, who was fired
either at the behest of Universal or because of a falling-out with
Hitchcock, depending on which version of the story you want to
believe. The supplemental material on the DVD release of TORN
CURTAIN includes a few scenes set to Herrmann's score, all of which are
greatly improved with music that fits the intended mood. The
use
of Herrmann's score would not have been enough to elevate the film to
classic status, but the available evidence suggests that it would have
been much more endurable and enduring.
½ - JL