Sir Carol Reed's classic spy
thriller THE THIRD
MAN owes a couple of stylistic nods to Hitchcock as well as the film's
costar, Orson Welles. Joseph Cotten plays Holly Martins, a
somewhat obtuse but honest American pulp novelist, who searches
war-torn Vienna for clues regarding his old friend Harry Lime (Welles),
who may or may not be dead, and who may or may not be a murderous drug
dealer. With its shadowy mise-en-scène, tilted camera
angles, and Anton Karas's eccentric zither score (that often seems
perversely unrelated to the action), THE THIRD MAN is a film remembered
for its unique hyper-expressionism as much as its content.
Welles's first appearance and the film's final shot are among the
cinema's most indelible images. Somebody slap me if I ever
use
the term "mise-en-scène" again.
- JL