Some movies are always impressive and
some are
impressive for their time. THE STING falls somewhere in
between. Paul Newman, as a retired con artist coaxed back
into a
big score, is an actor who can win you over and hold you immediately
with just a wink and a smile, while Robert Shaw, in a choice part as a
slow-burning Irish mobster, reminds us once again that he was taken
much too early. The film is not only set in the 1930s, but
also
an homage to old-fashioned filmmaking, using silent film techniques
such as iris-in and iris-out, as well as featuring an excellent Scott
Joplin soundtrack arranged by Marvin Hamlish. The supporting
cast
of character actors such as Charles Durning, Eileen Brennan, Harold
Gould and Ray
Walston, are all tremendous fun to watch.
But THE STING is a caper film,
and there have
been so many other movies of this ilk since with even more elaborate
stings and setups that the one in THE STING, cleverly staged though it
is, seems bland by comparison. In addition, Robert Redford
received the best actor award for this film, and compared to
the
rest of the cast, he is not all that good. He comes off more
as
the Tom Cruise of his time: good-looking, dimpled, a fair actor who
neither makes a movie better or worse with his presence.
Still, with Newman, Shaw, its
cast of character
actors and the heartfelt tribute to the past lovingly embedded into its
production values, THE STING is a fine, entertaining film.
Just
not as fine and entertaining as it was when it was first released in
1973.
½ - JB
ADD ANOTHER
QUOTE AND MAKE IT A GALLON
"If I didn't know you better, I'd swear you had some class."