One year before becoming an
internationally famous director with RASHOMON, Akira Kurosawa filmed
this tense, philisophical crime drama that owes much
to American film
noir. The story of a rookie detective tracking
down his
stolen gun, now being used in a one-man crime spree, STRAY DOG gives
Kurosawa
plenty of room to explore the social problems of a post-war
Japan.
The film stars the two actors most associated with Kurosawa: Toshiro Mifune and Takashi Shimura. The two would go on to play some of the most famous characters in the Kurosawa canon, and make a tremendous team in STRAY DOG, representing both generational sides of the war - the older set that ruled before the war (Shimura), the younger set that is inheriting a Japan in the throes of cultural upheaval (Mifune). Shimura outshines the youthful Mifune here, giving a relaxed, confident performance as the easy-going elder detective and family man, one that is in direct contrast to Mifune's occasionally stiff portrayal of the agitated rookie.
The film has two
sequences that Hitchcock might have loved. The first is at a
baseball game, where
the two detectives try to find a single suspect in a crowd of fifty
thousand fans and then, once located, coax him out of his seat without
causing a
disturbance. It is a clever, suspenseful scene that also
features
stock footage of the Yomiyuri Giants that might be interesting to
baseball and war historians. The second has the older
detective,
unaware a killer has been alerted to his presence, calling his partner
on the phone. From the short tracking shot that reveals the
killer's feet
descending the stairs, to the gunshots heard through the phone
on the other end, the scene is a masterpiece of suspense that, were it
not for the Japanese cast, could
easily be mistaken for a classic Hitch setpiece.
- JB