This is not a one-man film, but it might as well be. James
Stewart plays aviator Charles Lindbergh in the story of the first solo
flight, from New York to Paris, across the Atlantic Ocean.
For a Hollywood bio-pic, the script by Billy Wilder
and Wendell Mayes is surprisingly fact-based and cut bare to the
bone. There is no forced romance, no villain (except lack of
sleep and ice on the wings) and only some minor Hollywood touches, such
as a medal of St. Christopher being credited with Lindbergh not
blowing off course. Otherwise, THE SPIRIT OF ST. LOUIS is the
story of one man, one plane and one long trip. Stewart, two
decades older than Lindbergh was when he made his historic flight,
nevertheless captures the man's spirit of adventure and dogged
determination. The film accurately depicts major events of the
flight, such as Lindbergh's battle with sleep just after clearing Nova
Scotia (he had been up for 40 hours straight!), an encounter with some
fishing boats off the coast of what he hoped was Ireland (it was), and
the thronging crowds eagerly awaiting his arrival in Paris. To
break up the long flight on film, Stewart is given internal
monologues which often turn external, as he remembers, via flashbacks,
some of the highlights of his life as an aviator.
The film is atypical for director Billy Wilder
in several ways. It was a big, colorful picture for a man who
always preferred black and white, and it was based on a true story
where Wilder's usual films of the period were either original or
adaptations from the stage. Most strikingly, Lindbergh had gained a
reputation - rightly or wrongly; the man's politics and social theories
were all over the place - of being a Nazi sympathizer and an
anti-Semite. Wilder, a German-Jew, hated Nazis even more than he
hated artsy cinematography. Nevertheless, Wilder developed a
friendship with the man and created a well-crafted moving picture
in tribute to him. For a film where you know the hero makes it,
THE SPIRIT OF ST. LOUIS is also remarkably suspenseful in parts,
thanks to some magnificent editing.
½ - JB
A WILDER SENSE OF HUMOR
Billy Wilder had some fun with the notion that Charles Lindbergh was anti-Semitic. While on a bumpy plane ride with the famed aviator during production, Wilder joked that it would be funny if the plane crashed, because the headlines would embarrass Lindbergh: ' LUCKY LINDY IN CRASH WITH JEWISH FRIEND!".