A QUIET
DUEL follows DRUNKEN
ANGEL, a film that is considered by some to be
Kurosawa's first important film. A QUIET DUEL features a
similar saintly doctor as its main character, played by the young
Toshiro Mifune, who became a star with his turn as a gangster in
DRUNKEN ANGEL. Mifune's Dr. Fujisaki accidentally
contracts syphilis through a patient's blood while performing an
operation during the war.
Upon returning to private practice, he breaks up with his
fiancée
without telling her why and attempts to cure himself in secret.
As shown in the film, the
doctor's dilemma is not
only shame but concern for his intended bride, whom he knows will wait
the five years or so it will take to cure the disease.
Kurosawa
could have made the story more powerful had he given
the doctor more weaknesses. Mifune is
excellent as the
doctor, especially considering this was only his second film for
Kurosawa, but
the character is simply too angelic and one-dimensional. Had
the
doctor contacted syphilis through a night of casual sex with a stranger
- to take his
mind off the war perhaps? - he would have a more
intriguing character flaw than stubborn saintliness and a more
compelling problem upon which the film could be built.
Compare
Mifune's doctor to the one Takashi Shimura played in DRUNKEN ANGEL and
it is clear why that film is more powerful. Shimura played
a man who was filled with rage and had such an addiction to drinking,
he made his own concoctions out of medicinal alcohol. The
doctor
in A QUIET DUEL has no such rough edges to help Mifune bring
him to
life.
A QUIET DUEL
resembles the later and more successful RED BEARD without
that film's overwhelming warmth and epic structure. The
similarity extends to the use of four seasons to tell the whole story,
but the film lacks the epic quality and a fully invested Kurosawa, both
of which help make RED BEARD a flawed
masterpiece. A QUIET DUEL is worth viewing for fans of Mifune
and
Shimura, who plays the doctor's father, and to see
Kurosawa developing his style, with long takes, creative framing of
characters and use of weather (when there is talk about saving the life
of an unborn baby, the next scene begins with rain, signalling the
eventual
tragic outcome.) There are also some well-played sympathetic
female characters, which would become a rarity in Kurosawa's later
classics.
If you are already a
Kurosawa fan, you will
find things of interest in A QUIET DUEL. If you are not,
start
someplace else and work you way toward this one.
½ - JB
NOTES: Kurosawa films on DVD are usually released by Criterion or a cheap Hong Kong label with horrible subtitles. My review of A QUIET DUEL, however, is based on a DVD issued by BCI. Although not as good as a typical Criterion release, it was nevertheless a thousand times better than the typical Hong Kong cheapie I've had to base a handful of my other reviews on. If you have been burned by the Hong Kong releases and are afraid of this one because it is not a Criterion, fear not. Good print, good subtitles, even a handful of interesting extras. - JB