A complete shambles of a film, all the more regrettable for being
Alfred Hitchcock's only attempt at something roughly resembling a
haunted-house thriller. With an utterly confusing plot (that does get
clearer on second viewing, even if the film doesn't warrant a second
viewing) concerning jewel thieves hiding out in an abandoned mansion,
NUMBER 17 looks as hastily thrown together as it was. Hitch was
reportedly preoccupied with preparations for his next film (the quirky
and personal RICH AND STRANGE) and cranked out this studio-enforced
project as fast as he could. A dud and a snoozer.
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JL