The most important fact about THE MOST BEAUTIFUL, the story of a women making lenses for war purposes, is that Akira Kurosawa met his wife, Yoko Yaguchi, during this film. Dozens of young beautiful actresses, a young single director --- it was bound to happen. The next most important fact is that Kurosawa hired actor Takashi Shimura for the second time in a row (he had previously appeared in the director's first film SANSHIRO SUGATA, aka JUDO STORY), and, having liked what he saw for a second time, would keep on hiring Shimura on and off for the next thirty-six years.
And that's about it.
THE MOST BEAUTIFUL is
a wartime film made by Kurosawa under the directive of the
Japanese
government, who were calling upon all studios to create
pro-Imperialist
films. It is well-directed and edited, showing that the man
behind
the camera did indeed possess talent, though beyond a couple of wipes,
which would become a Kurosawa trademark, there is nothing in the film
that screams "Kurosawa!". It's about women polishing lenses
and
playing volleyball in their spare time (and not in a sexy ESPN way
either). Does that sound like Kurosawa to you?
It is
a dull film. That's really no crime, because,
hell, lots of the propaganda films coming from America were
dull
too. If you are a Kurosawa completist (like me), you have to
see
it once. If you are writing a book about Kurosawa, maybe you
have
to see it twice. But if you are just working on a
well-rounded
film education and want to see what Kurosawa was all about, you can
safely skip it and straight for IKIRU, SEVEN SAMURAI, RASHOMON,
YOJIMBO
and RAN.
½ - JB