MIGHTY APHRODITE
has one
major thing going for it: Mira Sorvino's engaging turn as Linda Ash -
hooker, porn star and biological mother of the child Woody's
sportwriter character Lenny has adopted with his wife. Like Marisa
Tomei's turn in MY COUSIN VINNY, Sorvino's
performance may have been a tad over-rated at the time (she won the
award for best supporting actress) but she gives MIGHTY APHRODITE its
hook, making it stand out from some lesser entries in the Allen
canon. Tall, gorgeous and tenderly funny, she displays an
instant
chemistry with the short, peculiar Allen. The film is helped
tremendously by this unexpected alliance, as Michael Rappaport as a
potential beau has little chemistry with Sorvino and Helena Bonham
Carter even less with Allen as his wife. Be forewarned,
however:
some of Sorvino's dialogue is atypically sexually graphic for a Woody
Allen movie.
The other striking element of
MIGHTY APHRODITE
is the anachronistic use of an ancient Greek Chorus as Woody's
conscience. F. Murray Abraham narrates the tale of Lenny's
quest
to find his son's biological mother, and even pops in on him in
modern-day New York to offer advice throughout the film.
Meanwhile, the entire chorus bestows upon Lenny such helpful guidance
as "Oh, Lenny! Don't be a schmuck!". Together with
Sorvino,
Abraham and the Greek Chorus turn an average Woody Allen comedy (some
laughs, some dull spots, some thoughts on the pointless and chaotic
nature of existence) into something more memorable.
½ - JB
ADD ANOTHER
QUOTE AND MAKE IT A
GALLON
"Do you want to take a shower? Study me up close?"
"No. I've already bathed."