(1964) Along with UNDER CAPRICORN, MARNIE
is one of the most hotly debated films in Alfred Hitchcock's canon.
Some deplore its plot contrivances, artificial-looking sets, naive
psychology, and the uncertain peformance of Tippi Hedren -- still a
relative newcomer to the screen in a demanding role far beyond her
capabilities. Others contend that these so-called shortcomings are
precisely what make MARNIE a masterpiece. Admirers would say its
contrivance and artifice are intentionally distancing, its simple
psychology masks darker hidden desires, and Hedren's performance is
appropriately raw and vulnerable. Hitchcock seemed to disown it as soon
as he was finished with it, but it's certainly one of the most
meticulously crafted films he ever made. I've had both good and bad
experiences with it, so don't ask me.
½ -
JL