(1988) Although
Frank LaLoggia's LADY IN
WHITE is marred slightly by the director's desire to accomplish too
much, it is nevertheless a successful and unique blend of nostalgia and
horror. The action unfolds on Halloween in 1962, when young
Frankie Scarlatti (Lucas Haas) is the victim of a bully's prank and
winds up locked in the school cloak room overnight (a lengthy scene
that is among the scariest 20 minutes ever committed to
film).
There he is visited by the specter of a young girl who was murdered in
the same location 11 years earlier. She was one of ten local
children murdered during that time, and it is up to Frankie and his
older brother Geno (Jason Presson) to gather the clues that will
identify the murderer.
LADY IN WHITE's main problem
is its
inconsistent point of view: we see most events through Frankie's eyes,
but LaLoggia can't maintain his carefully established tone when the
harsh realities of the adult world intrude on the narrative.
In
addition, a subplot involving the wrongful arrest of the school janitor
is needlessly tragic and violent in its resolution. Overall,
however, LADY IN WHITE is a one of the most effective and beautifully
photographed horror films of the past 25 years. La Loggia's
exaggerated color scheme is strictly autumnal, to the extent that
there's not a true red to be found (blood flows a nice pumpkin orange,
for instance). The film also reminds us that true horror need
not
rely on dazzling special effects and buckets of blood; most of the
"ghost effects" in the film are simple double exposures. It's
just the film for those who think "The Exorcist Meets the Waltons"
would be a swell premise.
- JL