DR. JEKYLL AND MR. HYDE By 1931 most of the technical
problems with early
talkies had been solved (with the invention of the boom mike being the
number one problem-solver). One of the first to take
advantage of
the improvements in technology was Rouben Mamoulian's DR. JEKYLL AND
MR. HYDE. As visually proficient as the greatest silent
films, it
also employed sound in newly creative ways to establish atmosphere and
tone. Though his Mr. Hyde may seem hammy today, Fredric
March's
portrayal of the title characters is astounding in its
extremes.
It's been said many times, but it really is difficult to believe that
the same actor is playing both roles. Especially impressive
is
his interpretation of Dr. Jekyll, who comes off as a slightly
off-putting blend of civility and cowardice. A strong
supporting
cast also contributes to make this one of the strongest screen
adaptations of Robert Louis Stevenson's classic horror tale.
½ - JL

This lavish MGM remake of
JEKYLL AND HYDE is
mostly a failure, but an interesting failure nonetheless.
Spencer
Tracy, uncomfortable in a role he didn't want to do, delivers a
performance the opposite of what one would expect from an actor
heralded for his down-to-earth naturalness. His portrayal of
Dr.
Jekyll is a bit wooden and emotionally distant, yet he revels in his
scenery-chewing turn as Mr. Hyde. The best acting is provided by Ingrid
Bergman, who steals the picture as the tragic dance-hall girl with whom
Hyde becomes obsessed. Perhaps the film's main flaw is that
the
evil undertone is stifled by the stately and extravagant MGM
production. But any film in which Ingrid Bergman and Lana
Turner
appear as race horses in a dream sequence is worth checking out at
least once.
- JL