Not
a bad little b-film on its own terms, but JAILHOUSE ROCK's main
attraction is a snarling, hip-swiveling young bolt of lightning named
Elvis Presley. Whereas the following year's KING CREOLE might
qualify as Elvis's best film, JAILHOUSE ROCK is his best showcase
vehicle. He may not have a polished acting technique, but
Elvis's
portrayal of arrogant, ex-con singing sensation Vince Everett is raw,
genuine, and heartfelt. He's also given plenty of opportunity
to
sing and swivel those famous hips to a memorable score by Jerry Leiber
and Mike Stoller. The "Jailhouse Rock" production number is
perhaps Elvis's greatest musical moment on film. If you don't
"get" Elvis after seeing JAILHOUSE ROCK, there's no hope for
you.
You're strictly squaresville, Daddy-O.
- JL
JAILHOUSE ROCK is one of the
few films where
Elvis is allowed to play a complex character. We're not
talking
Hamlet here, but just compare his Vince Everett in this film to the
smooth, smiling buffoons Elvis would play all through the sixties, and
you will clearly see that what could have been a fine acting career
quickly went out the window with Elvis's post-army films, in
which the only acting Elvis usually did was feigning interest
in
the scripts.
- JB