(2002) The most bloated and absurd of all James
Bond films,
in which the excesses of the Pierce Brosnan era are unleashed into
full-blown CGI territory. After a unique and promising
opening
sequence, in which Bond suffers at the hands of his North Korean
captors, the film then wanders off into la-la land and asks us to
accept nonsense ranging from DNA alteration to invisible
cars.
Rule of thumb for the future of the series: if a computer, rather than
a human being, is required for a stunt, it doesn't belong in a Bond
film. As the 20th film in the official series, released in
the
series' 40th anniversary year, DIE ANOTHER DAY is loaded with visual
and verbal references to past Bond films, so fans can at least play
"Spot the Homage" while enduring the silliness. And there's
always John Cleese and Judi Dench, who can't help but improve the
quality of any scene in which they appear. Halle Berry, fresh
from her Oscar win, was the biggest star to ever accept the role of a
Bond girl, but she fizzles rather than sizzles in the role of
Jinx. June Cleaver would have been more credible as a tough
spy
chick, and even Barbara Billingsley herself was better at speaking
jive.
½ - JL
It's fitting that DIE ANOTHER
DAY features the
worst Bond theme ever - a techo piece of crapola by Madonna - because
DIE
ANOTHER DAY is the worst Bond film ever.
Ironically, the first half ranks with the
best and most
intelligent Bond films. After the opening mini-movie, there is
a
solid 35 minute stretch without a major action sequence - just Bond
jaunting around the world in search of the bad guy. Then,
suddenly, R arrives and gives Bond... an invisible car?
What??? It goes from being FROM RUSSIA WITH LOVE to MOONRAKER
in
a single scene, and then goes beyond MOONRAKER by several lightyears.
DIE ANOTHER DAY would be
what I would
show to film students in a lesson on why you should never use CGI in an
action movie. A scene with Bond driving a snow flyer off an
ice
cliff displays everything I hate about the overuse of CGI. It
looks completely unrealistic, and the following sequence where Bond
"surfs" himself to safety looks like a George Pal Puppettoon intercut
with shots of Pierce Brosnan gesticulating unconvincingly in front of a
blue screen. I watched a little of the "making of" bits on
the
DVD and the creators were going on and on about how realistic the CGI
effects were in this scene, and I couldn't help but think that I have
seen more convincing sequences in movies where a guy in a rubber
Godzilla suit crushes Tonka trucks under his feet while toy planes fly
around his head.
And I never thought I'd say
this, but after
seeing the usually fine Halle Berry stumbled her way through a Bond
film, I actually miss Denise Richards.
½- JB
HOW TO TALK LIKE A BOND VILLAIN
"The pleasure of the kill is in the chase."