Alfred Hitchcock claimed
he made DIAL M FOR MURDER as a quickie effort while he "recharged his
batteries" for his next, more ambitious production (the great REAR
WINDOW). But as DIAL M proved, Hitchcock was still better than
most directors even when he was only phoning it in. It's a
cramped, mostly one-set film that looks exactly like what it is (a
filmed stage play), but Hitchcock provides enough tension and visual
variety to relieve some of the claustrophobia. Ray Milland is
wonderful as the classiest of conniving cads, Grace Kelly does
lovely-and-vulnerable as well as anyone, and John Williams demonstrates
why he was the cinema's quintessential Scotland Yard inspector.
Only Bob Cummings, an actor more skilled at light comedy, is miscast,
although he tries his best. Not a major film in Hitchcock's canon
to be sure, but perhaps the most solidly entertaining trifle he ever
made.
- JL