1970's DODESKADEN was a criticial and box-office failure, and a planned
co-directing position on the film TORA! TORA! TORA! ended in
humiliation for Kurosawa. After
several years of personal and artistic turmoil, years which
included an attempted suicide, Kurosawa eagerly accepted
an offer from Mosfilms to make a movie in Russia. With
typical
disregard for resting on his laurels and repeating past successes,
Kurosawa instead realized one of his dreams and fashioned a film about
the true-life exploits of a hunter and guide named Dersu Uzula, as
chronicled in the
diaries of Captain Vladimir Arseniev, a Russian surveyor of the early
1900s.
In the first half of
the film,
covering an excursion of
1901, Arseniev meets Dersu and hires him as a guide for an
exploration
of parts of Siberia. Dersu, who has lived in the forest for
years, teaches Arseniev and his men how man must respect nature to
survive its awesome power. In the second half,
Captain
Arseniev
meets up again with an older, faltering Dersu in 1907. His
eyes
failing,
his mind wandering, Dersu is no longer able to live in the wild, yet,
as
shown when Arseniev brings him back to the city, the hunter cannot live
in civilization either. Yuri Solomin is a fine "Cap-i-tan"
but it
is Maksim
Munzak's splendid performance as the wise, backwards-talking Dersu who
holds the film together. (If anybody is looking for more Kurosawa
influences in
George Lucas's STAR WARS series, just consider the elfish Dersu as the
forerunner to Yoda). The friendship, respect and love that
grows
between the two men over the years makes DERSU UZULA as warm-hearted as
RED BEARD,
though far less ham-fisted than that film and the later
DREAMS
in making its case about man's place in the world.
DERSU UZULA is one of Kurosawa's most leisurely paced films, with the director hanging on to certain shots and scenes to a point where you want to just grab the film in the projector and physically pull it forward two thousand frames or so (or, I guess, press the fast-forward button). Yet DERSU UZULA may have you thinking for days after about certain characters and scenes, especially the tragic irony of the final moments of the movie.
DERSU UZULA was the
success the
previous DODESKADEN was not, winning several major awards around the
world including Best Foreign Language Film in America.
Despite
the duel handicaps of not knowing how to speak Russian and working in
an unfamiliar country with a non-Japanese cast, Kurosawa re-established
his artistic reputation. Unfortunately, DERSU UZULA
did not re-establish his career. It would be five more years
before he would make his next film.
½ -
JB