Despite the honors
given to the film and
its director at the 2007 Oscars, THE DEPARTED is average
Scorsese at best.
Not a terrible thing when you consider the company - THE COLOR OF
MONEY and CAPE FEAR are average Scorsese too. Average
Scorsese is like average Hitchcock, meaning a splendid time is
guaranteed
for some if not all. Clearly, the Academy took advantage of a
weak field of films in 2006 and used to opportunity to honor Scorsese
for his
lifetime of work, after snubbing such film as RAGING BULL and
GOODFELLAS in the past.
THE DEPARTED is not
up to the standard of
some of Scorsese's previous films, such as the aformentioned GOODFELLAS
(clearly the best picture of 1991). It lacks the freshness of
MEAN STREETS, the energy of CASINO, and the rage of RAGING
BULL. It also lacks the Robert De Niro
factor. This
is not to say that every Scorsese film needs De Niro, but rather to
point out that today's crop of young actors, who range from excellent
to "how did he ever get into movies?" do not bring the same gravitas
that Scorsese's old crowd of De Niro, Pesci, et al
did. Leonardo DiCaprio
is now Scorsese's favorite actor,
and, as always, he does a damn fine job. I am beyond the
point of
qualifying a DeCaprio performance with the words "surprisingly
good" - I am now willing to call him one of the best of his
generation.
The older cast members, like Martin Sheen and Alec Baldwin, are wasted
in bland parts. Jack Nicholson, as a Boston crime boss,
refrains
from chewing up the scenery. He is still playing "Jack
Nicholson"
as he often does in films these days, but it's a toned down version,
and it works for this film. Vera Farmiga, as a psychiatrist,
does
well in one of those completely thankless roles that actresses too
often get these days. (I thought I'd seen Farmiga in other
films,
but it turns out that she is an actress that has an uncanny resemblance
to about five other fellow female thespians.) As for Matt
Damon
and Mark
Walberg, Damon does the better job as a cop who is secretly working for
Nicholson. Wahlberg is on my "Keannu Reeves" list as an actor
whose appeal I just don't get, especially in this film, when he looks
and acts like a foul-mouthed David Spade.
Based on the Hong
Kong thriller INFERNAL
AFFAIRS, THE DEPARTED move along quickly but requires much suspension
of disbelief to follow its twisting plotlines about an undercover agent
(DeCaprio) in the local Boston mob and a "mole" in the Police
Department (Damon) tipping off crime boss Nicholson. The
story
only works if you believe both sides to be so unbelievably thick-headed
as to be
unable to see that the ex-cop who joined the mob and the cop whose
orders always seem to end up with the suspects getting away are the
obvious candidates for suspicion.
Still, THE DEPARTED is a better
movie than the
sum of its parts, thanks to Scorsese's direction, the typically
well-chosen rock soundtrack (with The Rolling Stones' classic "Gimme
Shelter" as a major motif) and solid performances by DiCaprio and
Nicholson. But as a violent thriller with double agents,
chase
scenes and gunplay, even the James Bond reboot CASINO ROYALE is a
better, more plausibly plotted, film.
In another year, THE DEPARTED
wouldn't have won
an Oscar. In 2006, it may not even have deserved
to. But
considering RAGING BULL lost out to ORDINARY PEOPLE and GOODFELLAS lost
out to DANCES WITH WOLVES, I have no problem with Scorsese winning best
director and THE DEPARTED winning Best Picture. It's one of
those
questionable Oscar decisions that I can easily live with.
- JB