(1937) The last great Marx
Brothers film has
several problems, but its comedy scenes are among the best they ever
did. Scenes such as Groucho and Chico's "tutsi-frutsi"
encounter,
Groucho dancing and dining with Esther Muir, Mr. Whitmore's "Florida
call," and the medical examinations of Harpo and Margaret Dumont are
perhaps even funnier than anything they did in their previous and
more-heralded film A NIGHT AT THE OPERA. But RACES is where
the
soon-to-be-predictable Marx Brothers Formula took firm hold as the
brothers competed for screen time with the romantic leads, musical
numbers, and horses. On Laurel and Hardy Central, we often
talk
about the "Day at the Races Syndrome" in filmmaking... and this is the
film that suffers from it most of all.
- JL
Producer Irving Thalberg forced rewrite after rewrite of A DAY AT THE RACES, and with each new script, the project became less wacky, less satirical and more conventional. RACES follows Thalberg's rules for A NIGHT AT THE OPERA slavishly, but this time, instead of the love story and musical scenes being mini-breathers in between the Marx Brothers madcap routines, the comedy scenes are vaudeville turns performed to break up the plethora of plot scenes and musical productions. Luckily, those vaudeville turns are among the funniest the Marxes ever performed, so in the end, most, of not all, is forgiven. Thalberg died before the completion of the film, leaving fans to wonder if RACES wouldn't have turned better.
It certainly could have. A few years back I was making a tape for a friend of mine, and had about an hour left to fill. So I made an abbreviated version of A DAY AT THE RACES, cutting out all the music and half the plot scenes. The thing flew by like DUCK SOUP on wheels. It could have ranked as their greatest movie instead of one of their most bloated.
On a musical note, "All God's
Chillun Got
Rhythm" and "Tomorrow is Another Day" are two damn fine songs, but
unfortunately they appear so late in this overlong extravaganza, it is
hard to care any more. It has been said that "Alone" is the
only
hit song to emerge from a Marx Brothers film, but if numerous jazz
renditions count for anything, "All God's Chillun" will live on
forever.
- JB
ADD ANOTHER
QUOTE AND MAKE IT A
GALLON
"I want you to hold me! Hold me closer! Closer! Closer!"
"If I hold you any closer, I'll be in back of you."
HOW IS IT A DAME
LIKE THAT NEVER
GETS SICK?
The first script for A DAY AT THE RACES was a wacky, Parmountish tale
called PEACE AND QUIET. It was rejected by Irving Thalberg.
Bert Kalmar and Harry Ruby wrote a song, "Dr. Hackenbush", as Groucho's
introductory number, but it was never filmed. Groucho later
recorded it for commercial release.