A curiously short and sunny adaptation of
the Dickens classic, A CHRISTMAS CAROL is like many great films from
MGM's heyday - beautifully mounted, finely cast, eminently watchable,
but lacking the spark that might have been provided at other studios.
As a stand-in for
Lionel Barrymore, who
became unavailable just before filming, Reginald Owen is more than fine
as Ebenezer Scrooge, especially good in the early stages of the film.
If Alistair Sim is the definitive overall Scrooge, Owen's rheumatic and
humorless Ebenezer is surely one of the greatest pre-redemption
Scrooges. There are only faint glimmers of humanity in Owen's portrayal
- pocketing a stray bottle of port wine, licking his fingers after a
dose of cough medicine. But with his crooked back and his
permament scowl, he is a Scrooge you can imagine kids running from in
the street.
But typical of the niceness
that permeates
this production, the script has him declaring his love for Christmas by
the end of his visitation by the second ghost. His redeemed
Scrooge is good, but the staid MGM atmosphere keeps him from
going hog wild the way future Scrooges such as Sim or Albert Finney
would. Instead of being "merry as a schoolboy" or "giddy as a
drunken man", he is merely reasonably happy. Likewise, Jacob
Marley's Ghost's howls of eternal torment are more like sighs of
dissatisfaction and the Ghost of Christmas Present never reveals the
spectres of Want and Ignorance under his robes. The Ghost of
Christmas Past can hardly be a frightening figure of death, walking
around in broad daylight
with Scrooge through a London that surely doesn't looks like it is home
to the poor and needy. Bob Cratchit himself purchases a
gigantic goose, making the one Scrooge later purchases for the
Cratchits look like a piece of French cheese cloth. It is
almost
as if MGM was incapable of portraying the extremes of the human
condition. There is
no account of
Scrooge's greed causing him to lose the love of his life (it is
mentioned by the Ghost of Christmas Past, but Scrooge poo-poos the idea
of revisiting those times and is immediately returned to his
four-poster bed),
nor of the charwoman and others rummaging through his belongings after
his death. The "smile all the while" atttitiude reaches its
most
ludicrous heights
when Mrs. Cratchit not
only happily toasts Mr. Scrooge, but initiates it!
For its oppulent MGM
production values and its
talented cast, which includes that ubiquitous
staple of Christmas films Gene Lockhart as Bob Cratchit and Barry
MacKay as
the jovial Fred, MGM's A CHRISTMAS CAROL cannot help but be a fine
film, worthy of scheduling for Christmas Day itself. But it
is
Dickens Light. In short, it would
be the greatest version of them all, if not for so many others.
½ - JB