With CAPE FEAR, Scorsese willingly became a director for hire, taking
on a project
Universal had originally given to Steven Spielberg. It is
Scorsese attempting a pure genre film, a suspense thriller based on the
classic 1962 film of the same title starring Gregory
Peck as a lawyer and Robert Mitchum as an ex-con out to seek
psychological and physical revenge. The resulting film was
Scorsese's most popular film to that point, doing more bix office than
even THE COLOR OF MONEY or GOODFELLAS.
CAPE FEAR is about
sin and
punishment. Attorney Sam Bowdon (Nolte), knowing his client
to be
guilty, buried potentially exculpatory evidence in the trial of
rapist Max Cady (De Niro) fourteen years ago. Now out of
jail,
Cady comes back to make Bowdon pay for that sin of omission.
In
the original CAPE FEAR, we cared about Sam Bowdon because he was played
by Gregory Peck. Nick Nolte, a fine actor in his own right,
does
not have that kind of star power (Scorsese originally wanted Harrison
Ford or Robert Redford) but his Bowdon is the more interesting
character. He is a thoroughly flawed individual with much to
attone for, especially with his marital infidelities threatening to
break his family apart. Enter Max Cady, who has an uncanny ability to
read Bowdon's situation and exploit it to full advantage. His
antagonism of the Bowdon family leaves them with few options except
revenge, and Cady even uses that to his advantage, eventually turning
the situation completely inside out so that it is Bowdon himself who is
slapped with a restraining order.
Robert De Niro's portrayal of Cady is
completely over
the top,
almost as outrageous as Al Pacino's unforgettable turn in
SCARFACE. He is a pure psycho driven mad by his
later-gained knowledge of his lawyer's unethical tactics that led to 14
years in jail. As part of Scorsese's nod to genre films, Cady
also proves to be nearly as indestructable as HALLOWEEN's Michael Myers
or FRIDAY THE 13TH's Jason. The film's stormy climax on a
runaway
houseboat is a tour de
force
in filmmaking, with Scorsese freely borrowing from Spielberg and
Hitchcock, two masters of the genre. However, Max Cady's near
indestructability will either work or
not work for you, depending on how much suspension you like with your
disbelief.
As an homage to an
entire genre, Scorsese
casts Peck (in his last theatrical film), Robert Mitchum and Martin
Balsam in new parts. The original score by Bernard Hermann is
also reprised, adapted by Elmer Bernstein. Even Saul Bass,
famous
for his work with Alfred Hitchcock, was hired to do the film's title
sequence. Although CAPE FEAR will never be counted as one of
Scorsese's most meaningful films and is certainly no masterpiece, it is
nevertheless one of his most plot-driven, involving movies and a fine
example of a suspense thriller, Scorsese-style.
½ - JB