When Fred Astaire and Cyd Charisse glide
magically into their modern-dance pas-de-deux
to "Dancing in the Dark"
some 59 minutes into THE BAND WAGON, they go on to create what are
arguably the three most beautiful minutes in motion-picture
history. That moment alone would be enough for THE BAND WAGON
to
rank as a classic, but it is merely one of the film's many
treasures. The story of a washed-up Hollywood hoofer
(Astaire)
trying to reclaim his stardom on Broadway, the film is perhaps the last
of the truly great musicals produced by the Freed Unit at MGM and is
regarded as near-equal to SINGIN' IN THE RAIN in quality and
stature. That it emerged as it did was something of a
miracle,
for the film's production was not a "happy shoot" by any
means.
Astaire was tending to his terminally ill wife at the time, rendering
his attitude on the set one of all work and no nonsense.
English
music-hall star Jack Buchanan (who nearly steals the film as pompous
thea-tuh director Jeffery Cordova) was battling cancer himself, and
Oscar Levant and Nanette Fabray grew to loathe one another.
The
production itself was fraught by as many mishaps as the outlandish
production of the film's plotline. Supporting player James
Mitchell (later of ALL MY CHILDREN fame) said some 50 years later: "It
was a miserable experience. I've never watched the damn
thing." It is to director Vincent Minnelli's credit that he
was
able to reign in all the unpleasant elements and create one of the most
joyous farces in all of musical comedy.
- JL