In many ways the beginning of the end of the Marx Brothers' screen
careers, AT THE CIRCUS is nevertheless the best of the last three films
the team made for MGM. When Irving Thalberg revived the
Marx's
careers in 1935 by making them semi-heroic figures, he diluted some of
their trademark anarchy in doing so. Yet he was able to
retain
enough of their old personas to keep most fans happy. After
Thalberg's death, MGM further diluted his dilution to the extent that
the romantic leads became just as important as the Marx Brothers, Chico
became a somewhat dimwitted kindly uncle-type who said things like "Aw,
shucks" a lot, and Groucho started wearing a wig. The last
trio
of MGM films are so polished, so stiff and formal, you long for someone
to come along and add some anarchy to the proceedings.
Someone
like...oh, I dunno, the Marx Brothers, perhaps? Nevertheless,
AT
THE CIRCUS contains about 20 minutes of great comedy, which is about 10
minutes more than their next film (GO WEST), and about 19 minutes more
than the one after that (THE BIG STORE).
- JL
Scriptwriter Irving
Brecher fails to
capture the Marx Brothers for much of the first half, leaving it up to
songwriters E. Y. Harburg and Harold Arlen to provide Groucho with one
shining moment, the novelty song "Lydia the Tattooed Lady", a ditty
Groucho loved so much, he continued singing it for the rest of his
life. In the second half of the film, Brecher suddenly
remembers
that he is writing for The Marx Brothers, not Abbott and Costello or
The Three Stooges, and the comedy scenes improve greatly.
It's
still no MONKEY BUSINESS or A NIGHT AT THE OPERA, but there is enough
fun stuff late in the film to make AT THE CIRCUS worth
revisiting. But keep your finger poised on the fast-forward
button.
½ - JB
ADD ANOTHER
QUOTE AND MAKE IT A
GALLON
"Oh, Hildegard!"
"My name is Suzanna."
"Let's not quibble."
ELEPHANTS!
AT YOUR AGE!
Nat Pendleton had previously appeared with the Marx Brothers in HORSE
FEATHERS.
Songwriters E. Y. Harburg and Harold Arlen, who composed three songs
for AT THE CIRCUS, also wrote all the songs for THE WIZARD OF OZ the
same year. Their novelty song, "Lydia the Tattooed Lady"
became
one of Groucho's favorite numbers, but the version Groucho sings here
(and elsewhere for years onward) is missing this topical couplet which
Groucho sung at least once on radio: "When she stands, the world gets
littler/ when she sits, she sits on Hitler."
AT THE CIRCUS is halfway over before Margaret Dumont appears - not a
good idea.