ONE WONDERFUL SUNDAY is a plotless, episodic confection about a pair of
young lovers with only
35 yen
between them who make
a
memorable Sunday date out of nothing. It's a
minor
Kurosawa
film, but an appealing one nonetheless.
Far from
typical Kurosawa, the influence of Frank Capra on ONE WONDERFUL SUNDAY is clear,
especially toward the end of the film, where "Capra-corn" is transformed into
"Korn-asawa". With the couple standing in an empty
band shell,
Kurosawa uses a device lifted straight from the stage play Peter Pan.
Turning to the camera, the girl pleads directly with the audience to
clap their hands
for poor young lovers everywhere. With the encouragement of
the
audience (we presume),
the man conducts an imaginary orchestra
through the opening movement of Schubert's "Unfinished
Symphony".
The film is carried by the two engaging leads, Isao Numasaki and Chieko Nakakita, playing the Japanese equivalents of Jimmy Stewart and Donna Reed, to name one famous Capra couple. Although the film sags in the middle as Numasaki's character wallows in self-pity for a bit too long, it picks up again when the lovers plan their dream coffee house, in pantomime and dialogue, while standing amongst the bombed out ruins of the city. By the time the day is done, and the couple has spent its 35 yen, plus one overcoat for an overcharged cup of coffee, the final words of the film, spoken by the girl, are predictable but perfect: "See you next Sunday!"
ONE WONDERFUL SUNDAY is so unique to the
Kurosawa
canon, I just realized that it is one of the few Kurosawa reviews I've
written not to mention a single other film by the director.
For
that alone, it deserves to have a place on the shelf of any decent
Kurosawa fan.
½ - JB
Akira Kurosawa The Stuff You Gotta Watch Home Page